"The composer is no stranger to gritty subjects, including his earlier
Holocene Extinction (2017) and last year’s
Into Oblivion, which was given its world premiere by the WSO. In this latest work, he tackles the topic as an eloquent cry for change, with an early highlight becoming Caitlin Broms-Jacobs’s plaintive oboe solo, which floated over lugubrious lower sonic depths that bled into sweeps of strings and later, a compelling brass chorale.
At times, too many musical ideas risked weakening the cohesion of the piece, despite Stafylakis’s masterful orchestration including his calling card of extreme contrasts of range, timbre, and texture. Still, its final crescendo, which climaxes with a staccato spray of three tones like gunshot, further proved his ability to infuse his music with heart-stopping drama. This 2017 orchestral work resonated as an authentic and imaginative response to the unimaginable."
—Holly Harris on Sun Exhaling Light, Winnipeg Free Press
full review