Movements
- Maleviziotikos
- Erotokritos
- Pentozali
- Syrtos
- Tsakonikos
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Scores & Performance Materials
Program Note
Kritikos Horos, or “Cretan Dance”, is a concert music reimagining of traditional dances and song forms originating from the Greek island periphery of Crete. In each movement, traditional thematic material is at first presented in recognizable form before undergoing stresses and procedures that gradually cause it to be subsumed into – and eventually obscured by – concert music idiom.
Drawing on the source material’s historical origins, the work traces an abstracted narrative of the life of a Cretan Resistance fighter during WWII: I. Maleviziotikos, a sprightly courtship dance for village youths; II. Erotokritos – "the judge of love" – a song type with mature overtones that logically follows from the more innocent dance preceding it; III. Pentozali, a fast war dance used to keep soldiers fit for battle; IV. Syrtos represents the warrior’s philosophical contemplation before engaging in war, and; V. Tsakonikos, a labyrinthine war dance that depicts the myth of Theseus slaying the Minotaur.
Premiere
Premiered October 3, 2010 by Alea III Ensemble, Theodore Antoniou conducting, at Tsai Performance Center, Boston.
Recognition
Finalist, 2010 Alea III International Composition Competition; honorable mention, 2012 Brian M. Israel Award.